During the 65 years that Johann Sebastian Bach lived he wrote 1128compositions and had 23 more in the works which are now lost or unfinished. Among them Musette in D is one of the very best. It provides piano students with an opportunity to work on music that offers a challenge to both hands, and be rewarded with the chance to enjoy playing a great piece once they have everything worked out.
About Johann Sebastian Bach – Composer of Musette in D
About Johann Sebastian Bach (1685-1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. Read more on Wikipedia
Looking great recital pieces for your middle through late elementary-level piano students. Jingle Jazz piano book provides five colorful jazz arrangements that introduce young students to the world of jazz – and makes it easy!
Do you want to teach chords and arranging to your music students?
The Piano Chords Fun Book is a 24 page easy-to-understand resource, including popular left hand accompaniment patterns, tips for accompanying singers and instrumentalists, tips for voicing chords, lead sheets, and the most repinned piano chord chart on Pinterest.
Easy to Read Piano Chord Chart (2 Pages)
Examples of Popular Left Hand Accompaniment Patterns
Tips for Accompanying Singers and Instrumentalists
Introduction to Chord Voicing
8 Lead Sheets (Jesus Loves Me, Hot Cross Buns, Baby Bumblebee, Mary Ann, Brahms’ Lullaby, Jingle Bells, Bring a Torch, Jeanette, Isabella and Simple Gifts)
Music Manuscript Paper (2 Pages)
This book makes accompanying easy. It begins with the most popular accompaniment pattern – the boom-chick – and builds from there. The first few pages are devoted to learning how to create arrangements of songs for solo piano. The next part shows students how to accompany singers and instrumentalists. To make your arrangements really sound great two pages are set aside for chord voicing – the art of chord inversions, spacing and chord member doublings. The next section is worth the price of the book all by itself – lead sheets. Eight lead sheets are included (listed in the contents above) to help students get started. After that they can print digital download lead sheets and fake books on sites like SheetMusicPlus.com and MusicNotes.com. Finally, two pages of music manuscript paper are included to write out a few ideas. Students may have a hard time understanding how the music and the accompaniment patterns fit together in their head, so the manuscript paper will be helpful.
Here are a few pages from the book:
The Piano/Keyboard Chord Chart includes 48 of the most popular piano chords. Unless your students are learning a jazz lead sheet (with rich chord extensions) this piano chord chart should be all they’ll need.
This page is the first page of instruction, introducing students to left hand accompaniment patterns. Example #1 provides students with an easy to play song – Hot Cross Buns – with the boom-chick accompaniment pattern. Since this book is all about the accompaniment it’s nice to have a simple melody to play. Example #2 show students how to adapt the boom-chick pattern for 3/4 meter to accompany Brahms Lullaby.
This page is one of the 8 lead sheets included at the end of this book. Each lead sheet includes the melody, chords and lyrics. The list of songs is included in the contents (see above).
The basics of arranging a song is simply applying “vocabulary of ideas” to a song. The Piano Chords Fun Book is a “vocabulary” builder. Choose one of the patterns included in this book that’s right for your song and you’re on your way to a solid arrangement. Refine it a little with the other tips included in this book and you’re well on the way to greatness!
I’ve had several students over the years ask about playing Leonard Cohen’s Hallelujah. It’s such a great piece. This arrangement should be playable by your intermediate piano students. It’s in the Key of C Major, but you can change the key if you want to introduce a new scale and get them playing more comfortably in a different key.
The Carnival of Venice became popular as a virtuoso trumpet solo, but makes a wonderful piece for intermediate piano students. This arrangement is written in the key of C Major, and keeps the hands close to C position most of the time, providing for ease of performance.
The Carnival of Venice melody is based on a popular German folk tune, “My hat, it has three corners.” In German it’s “Mein Hut, der hat drei Ecken.” The trumpet solo, mentioned earlier, is written in theme and variation form, including plenty of opportunities to play fast scales, arpeggios, and double and triple tonguing. The Arban’s Conservatory Trumpet Method is the most celebrated solo, though cornet player Herbert L. Clark also wrote his own version. Chopin also jumped in with “Souvenir de Paganini”, and dedicated his version to the violin virtuoso Niccolò Paganini.
Want to play some super cool circus music? Julius Fuĉík wrote Entry of the Gladiators way back in 1897 and it’s become the sound of the circus. Originally he titled his piece the Grand Marche Chromatique, because of his abundant use of the chromatic scale. He later changed his mind, and named it Entry of the Gladiators to reflect his interest in the Roman Empire.